Isaiah Illustration
Tuesday, December 18, 2018
"Life" Zentangles
Here is my Life Zentangles. Each design inside of the letters represents different emotions you feel throughout life.
Color Wheel
Here is a flower shaped color wheel, my idea of this color wheel is that each pedal represents a different perspective of life.
Miami Heat "Vice City"
Since my favorite basketball team is The Miami Heat ( Before Lebron Came ) i decided to draw the symbol of their new Vice city Jersey .
Thursday, September 27, 2018
Art Critique

Olaf Breuning is a Swiss-conceived craftsman currently
living in New York. His presentation "Little Cerebrum Huge Stomach"
comprise of divider illustrations and wood figures. The divider illustrations
are done in expansive, dark lines painted straightforwardly on the dividers.
The wooden models are painted dark and show up as three-dimensional
illustrations. The symbolism of these works is cartoonish, virtuous, basic and
one dimensional. As one strolls into the exhibition, it feels like one enters a
funhouse loaded up with highly contrasting divider illustrations and models.
As one enters the display, one encounters the enjoyment of
taking a gander at straightforward, painted illustrations of six men on the
divider chatting on PDAs with letters perusing "morons" in their
mouths. Over the room space, machine-like illustrations and also illustrations
of individuals overwhelm the dividers. Distinctive disconnected, streamlined
individuals like figures and machine like models are spread over the floor. This
helps to remember an untainted setting where everything is simply spread over
the room as opposed to being deliberately sorted out. The second room is
likewise composed in a similar way with a few illustrations on the divider and
a few figures spread over the floor space.
The association of the considerable number of figures and
illustrations is exceptionally straightforward and not congested. There is a
lot of room in the space to stroll around the floor and take a gander at the
figures. Similarly, each illustration has a lot of room in the middle of them
influencing the work to look perfect and precise. The main two hues; highly
contrasting additionally make a spotless, splendid condition.
"Little Mind Enormous Stomach," is a fun show.
When I entered the exhibition "fun" came into my psyche. It is where
one can have the satisfaction in going out for a stroll around a delight walk
in light of the fact that the diverse models look like changed rides, for
example, the thrill ride mold, "Life." The straightforward, untainted
and cartoonish symbolism likewise makes the work pleasant. The display feels
like a space where one can go in abandoning pressure and appreciate the season
of life taking a gander at the work. The work is by all accounts remarking on
encounters of life. The high points and low points, the comedies and tragedies
and choice of life is the thing that the show is by all accounts about.
Olaf Breuning's illustrations and models help me to remember
David Smith's works of art, for example, the "Development on a
Support," "Helmholtzian Scene," and "Hudson Stream
Scene." Like Smith, Breuning's figures resemble three dimensional
illustrations. They likewise show up as attracting space as opposed to drawing
level on paper like Fineberg clarified in the reading material. Both have done
level works. Be that as it may, Breuning's works seem significantly less
difficult than Smith's. Smith utilized more entangled natural and geometric
shapes though; Breuning just utilized straightforward lines and circles to make
his figures and illustrations. Fineberg additionally said that Smith's work
"prods the watcher" by influencing his pieces to show up as two
things, for example, the circle showing up exchanging between a circle and a
level circle. Then again, Breuning's work is clear and straightforward.
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